Unproduced film concept · novels and audio

Five Star Five

An unlikely team stands between a threatened planet and an enemy fortress. Explore the film Gerry Anderson and Tony Barwick imagined, and the adventures Richard James later brought to life in books and audio.

Five Star Five - The Gerry Anderson Store
Original Five Star Five concept art by Michael Stringer, 1978.
  • Original feature-film project
  • Gerry Anderson and Tony Barwick
  • Adapted and continued by Richard James

Five Star Five

Where to begin

A few rewarding routes into this world. Choose the one that catches your imagination.

Meet the recruits

Discover John Lovell, Clarence and the unlikely allies drawn into Kestra’s struggle.

Meet the characters →

Imagining the hardware

Chris Thompson shares his later interpretations of the screenplay’s ships, rather than original production designs.

Explore the artist’s designs →

Five Star Five

Machines

Choose a machine to discover its role, its story and where it can take you next.

Chris Thompson’s later interpretation of Lovell’s freighterLovell’s freighter

An old, battered transporter carries John Lovell through the original adventure. The screenplay compares it to a worn but dependable Dakota aircraft. This image is Chris Thompson’s later interpretation of the ship, rather than an approved 1979 production design.

  • Image: Later interpretation by Chris Thompson

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Chris Thompson’s later interpretation of the Zargon stealth transportZargon stealth transport

The screenplay opens with an aerospace vehicle racing across Kestra at extreme speed, carrying Zargon shock troops. Chris Thompson later imagined its aggressive appearance and variable geometry; those design details belong to his illustration.

  • Image: Later interpretation by Chris Thompson

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Chris Thompson’s later interpretation of a Kestran interceptorKestran interceptor

Space interceptors appear in the screenplay as fast-moving craft encountered by Lovell’s transporter. This later visualisation by Chris Thompson explores how a Kestran fighter might have looked. It is an artist’s interpretation of the unmade project.

  • Image: Later interpretation by Chris Thompson

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Valiant

The sleek new craft belongs to The Doomsday Device, Richard James’ prose sequel. Supplied through Colonel Zana, it gives Lovell a very different transport from the battered freighter of the first adventure.

  • Introduced in the later novel The Doomsday Device

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Five Star Five

Characters

Meet the people at the heart of this world. Open a card and follow their story.

John Lovell

An ex-soldier turned freighter captain, Lovell is drawn into the defence of Kestra against the Zargons. His grumbling, reluctant-hero manner conceals the capacity to bring a very different group of people together when it matters.

  • Original adventure: John Lovell and the Zargon Threat

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Clarence

The talking chimpanzee is part of Lovell’s unlikely group. Richard James describes Clarence as the comedy sidekick among a band whose contrasting abilities and personalities give the adventure its distinctive rhythm.

  • First adventure: John Lovell and the Zargon Threat

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Rudy

A robot with a heart, in Richard James’ description, Rudy supplies another unusual presence within Lovell’s team. The demolition robot belongs to the original screenplay’s imaginative mix of action, humour and companionship.

  • Origin: Gerry Anderson and Tony Barwick’s screenplay

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Sumara

The mystic joins the unconventional group brought together around John Lovell. Sumara’s place in the original story also matters to The Doomsday Device; Richard James discusses that continuation in an interview that reveals events from the first novel.

  • Further reading contains first-book spoilers

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Colonel Zana

A Kestran military leader, Zana turns to Lovell as the Zargon threat grows. Her role expands in The Doomsday Device, where she joins the group more fully and supplies Lovell with the advanced Valiant.

  • Appears in the original story and its prose continuation

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Jhy

The orphaned child is one of the original group’s contrasting personalities. Alongside soldiers, a freighter captain, a talking chimp and a robot, Jhy helps make the team feel like the unconventional family at the heart of the adventure.

  • Origin: The original Five Star Five story

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Five Star Five

Places

Explore the headquarters and locations that make this world possible.

Kestra

The peaceful world threatened by the Zargon invasion is the starting point for Five Star Five’s struggle. Its dreaming towers and inhabitants become the stakes of an adventure that brings Lovell’s unlikely band together.

  • Introduced in John Lovell and the Zargon Threat

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The Zargon asteroid fortress

An asteroid fortress provides the invading Zargons with a formidable base. The screenplay’s large-scale setting is one of the environments Richard James could bring to life in prose after the proposed film lost its financing.

  • Original form: Unmade feature-film screenplay

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Stories

Go deeper into this world

Fresh perspectives, familiar heroes and adventures beyond the screen.

Browse more stories →

From the archive

The story of Five Star Five

Explore the production, the people and the original archive material behind this world.

An unlikely team against an invasion

The peaceful planet Kestra faces a Zargon invasion directed from an asteroid fortress. Colonel Zana turns to freighter captain John Lovell, who gathers an unconventional group to take on the threat. Clarence the talking chimpanzee, Rudy the robot and the mystic Sumara are among the characters who make this a very different kind of rescue mission.

Five Star Five began as an ambitious feature-film project by Gerry Anderson and Tony Barwick. The film was never made, but the story later reached readers and listeners through Richard James’ novelisation and Robbie Stevens’ audiobook performance.

The film that reached pre-production

Development followed the end of Space: 1999. During the late 1970s, Gerry worked with music producer Sydney Rose to raise finance, with Tony Barwick developing the script. John Guillermin was attached as director, and preparations included studio bookings for live action at Pinewood and effects at Bray.

The intended 1979 production lost its funding before filming could begin. Surviving material includes the screenplay and a limited body of design and promotional work. It should be approached as an unmade film project, rather than a missing completed production.

The 2021 return: John Lovell and the Zargon Threat

Richard James adapted the screenplay as Five Star Five: John Lovell and the Zargon Threat in 2021. The novel follows the original adventure, allowing its planets, characters and large-scale action to exist without the practical limits that had stopped the film.

The audiobook is read by Robbie Stevens, with music and sound design by Benji Clifford and production by Jamie Anderson. It is an audiobook performance of the novelisation, distinct from a full-cast drama or a soundtrack to a finished film.

Listen to the audiobook sample for a first encounter with the world and Stevens’ narration.

The story continues in The Doomsday Device

Five Star Five: The Doomsday Device is Richard James’ later continuation. It develops the surviving characters, the motives of the Zargons and the consequences of the first adventure. John Lovell’s team remains at the centre, with Colonel Zana taking a larger place in the group.

The distinction matters: The Zargon Threat adapts Gerry Anderson and Tony Barwick’s screenplay, while The Doomsday Device is a new sequel by James. Read his account of continuing the story; the interview discusses events from the first book.

Original plans and later interpretations

With so little original production design surviving, later artists have explored how the unmade film might have looked. Designing Five Star Five presents one such interpretation of its spacecraft and settings. Those illustrations are later visualisations, not evidence that those exact designs were approved for the 1979 production.

Start with John Lovell and the Zargon Threat, then continue to The Doomsday Device. For another abandoned Anderson screen concept brought to life in prose and audio, explore Intergalactic Rescue 4.

From the original screenplay

The earlier archive entry preserved this extract from the opening scene. It shows the speed and scale envisaged for the unmade film.

THE TIME …. THE FUTURE THE PLACE …. THE UNIVERSE EXT. PLANET KESTRA. DAY. We are following an AEROSPACE VEHICLE. It is flying at zero feet and travelling at FIVE THOUSAND MILES PER HOUR ! It hugs the contours of the planet; one moment skimming over the sea•••then climbing steeply to cross a 20,000 ft. mountain range•••now diving almost vertically into the plain below•••pulling out to fly along a narrow valley, the hills either side accentuating the already sickening visual sense of speed. INT. AEROSPACE VEHICLE. DAY. 30 SHOCKTROOPS from the aggressive planet ZARGON••• 15 seated each side. Dressed in black, wearing helmets with built-in air supply and communication facilities, the ZARGON SHOCKTROOPS look bizarre. REVERSE ON LEUTNA He is an officer. Young, intense… he sits in a single seat facing his men, his face impassive. The AEROSPACE VEHICLE angles as it streaks under Planet KESTRA’s electronic surveillance.

Project record

Original film screenplay: Gerry Anderson and Tony Barwick. Late-1970s development; planned filming in 1979 did not proceed. Director attached: John Guillermin. Novelisation and later sequel: Richard James. First audiobook released in 2021, narrated by Robbie Stevens.

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